The third edition of PROTOTYPE will feature two world premiere
co-productions—composer Stefan Weisman and librettist David Cote’s The
Scarlet Ibis, a dreamy contemporary family opera
that weaves puppetry into its story-telling, and Korean-American
artist Bora Yoon’s multimedia music-theatre work, Sunken
Cathedral, which takes the audience on a sonic journey of deep
psychological impact. The festival also includes Toxic Psalms,
an international co-presentation with Slovenian vocal theatre company
Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy,
a theatricalized concept album by Todd Almond, at HERE; two
work-in-progress presentations of Beth Morrison Projects operas in
development: Winter’s Child, by Ellen Reid and Amanda
Jane Shank, co-presented with Trinity Wall Street, and Aging Magician,
by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park
Avenue Armory and Opera America’s New Works Forum; and a one-night-only
performance by Timur and the Dime Museum at Joe’s Pub.
PROTOTYPE: Opera/Theatre/Now
is the premier global festival of opera-theatre and music-theatre in
New York City, co-produced by Beth Morrison Projects and HERE.
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
PROTOTYPE: Opera/Theatre/Now
is the premier global festival of opera-theatre and music-theatre in
New York City, co-produced by Beth Morrison Projects and HERE.
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
PROTOTYPE: Opera/Theatre/Now
is the premier global festival of opera-theatre and music-theatre in
New York City, co-produced by Beth Morrison Projects and HERE.
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
PROTOTYPE: Opera/Theatre/Now
is the premier global festival of opera-theatre and music-theatre in
New York City, co-produced by Beth Morrison Projects and HERE.
The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
When: January 8th - 17th, 2015The third edition of PROTOTYPE, running from January 8–17, will feature two world premiere co-productions—composer Stefan Weisman and librettist David Cote’s The Scarlet Ibis, a dreamy contemporary family opera that weaves puppetry into its story-telling, and Korean-American artist Bora Yoon’s multimedia music-theatre work, Sunken Cathedral, which takes the audience on a sonic journey of deep psychological impact. The festival also includes Toxic Psalms, an international co-presentation with Slovenian vocal theatre company Carmina Slovenica and St. Ann’s Warehouse; Kansas City Choir Boy, a theatricalized concept album by Todd Almond, at HERE; two work-in-progress presentations of Beth Morrison Projects operas in development: Winter’s Child, by Ellen Reid and Amanda Jane Shank, co-presented with Trinity Wall Street, and Aging Magician, by Paola Prestini, Rinde Eckert, and Julian Crouch, co-presented with Park Avenue Armory and Opera America’s New Works Forum; and a one-night-only performance by Timur and the Dime Museum at Joe’s Pub.
- See more at: http://prototypefestival.org/#sthash.oS9eYovm.dpuf
Where: Various Locations
Calendar